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Colour Me Brightly! Understanding Light in Interior Design. Part II: Perforations and Glass

Professional interior designers are expertly trained in the use of lighting features to create breathtaking results. In this four-part series which I call “Colour Me Brightly: Understanding Light in Interior Design,” I draw on my experience in London’s interior design community to explain this fascinating subject. This second article talks about how to create patterns using illuminated materials.

Any perforated textile, when lit from the back or from the inside, will speckle adjacent forms with pattern, from point strips and pirouettes to constellations and dazzling laser specks. The professional interior designer can use the trim of a window covering to create fabulous banding across a shiny floor covering in the London summer. Some interior design firms love to use ornamental metal lanterns to paint fiery asteroids on walls and furniture, while light projected through a sculpted screen can create magnificent abstract outlines in expressive contemporary interior design schemes. A factory-inspired metal stairwell with perforated treads – of the type often reinterpreted for ultra-modern interior design schemes – can throw tiny checkmarks of light onto local furniture when exposed to a bright London sky in springtime. A fabulous option with a wooden staircase would require the interior designer to specify a grit-washed tread, to deliberately throw stunning shadows from the rail onto the adjacent wall. Abstract wire-mesh sculptures by local London artists can engender powerful interior design emotions, with the pattern even becoming more important than the object itself! Interior designers can expressively use perspective to distort the pattern from complete realism, when lit front-on, to Baconesque abstract enchantment when illuminated at an acute angle. The same effect can be created by using mirrors to refocus natural light from bay windows in some of the more luxurious London residences.

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Student Interior Designers Often Learn About The History of Their Profession

In their training, student interior designers often learn about the history of their profession. This can be a really important way to give context to their subsequent careers. In this article, I will draw on my experience as an interior designer and educator to discuss the history of this exciting field.

The earliest professional interior designers were based in London – the British had become intrigued by Egyptian techniques of decorating household objects and wanted the same for themselves. London families became desperate to employ an interior designer to create magical spaces and accessorise their interiors. As interior designers came to be recognised as professionals, they increasingly found a need to draw on history to create fabulous results. This was particularly true when creating designs for historic London mansions or listed buildings – they saw historical reflections as a way of preserving the past while also looking to the future.

THE ANCIENT ROMANS

In Ancient Rome, citizens demanded comfort, luxury and wealth. These elements are still important in the work of interior designers across the world today. The lavish decorations, tapestries and iconic stonework today remain as timeless and popular in London as in Tokyo or Sydney. The Ancient Romans adored bespoke furniture and loved quality textiles and expensive fabrics.

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Designing a Living Room You’ll Love

No matter what your décor, budget or personal tastes, you can easily turn your hodge-podge of living room furnishings and accents into a space that looks as if it was done by an interior design pro.

As we often say, function is more important than form. Start your interior design adventure by determining what your living room is for. Is it a place for an intimate gathering of friends and family? Do you entertain a large group of guests regularly? Is it a place to simply relax and kick back?

The answer will determine the layout of the room. If you entertain a lot, then you want your space to be more open so guests can flow freely around the room without bumping into furniture. If you host more intimate groupings, then you want to arrange your furniture to promote conversation.

1. Select furniture that matches your needs

Once you know the function of the room, it’s time to work on form. There are a lot of really wonderful pieces out on the market theses days. Not only can you get inviting sofas and loveseats, but also new ideas such as sectionals with a built-in chaise. If you entertain a lot, consider going with groupings of furniture or pieces that can be easily moved around the room. If it’s just family and friends, go with a large sectional grouping so you can all sit together in comfort and style.

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Colour Me Brightly! Understanding Light in Interior Design. Part IV: Conclusion

Professional interior designers are expertly trained in the use of lighting features to create breathtaking results. In this four-part series which I call “Colour Me Brightly: Understanding Light in Interior Design,” I draw on my experience in London’s interior design community to explain this fascinating subject. This fourth article concludes my series.

Linear light patterns can focus on either the horizontal or the vertical metrics of a room. A given wall-light technique can create an immersing halo effect, if the interior designer uses concentrated super-bright light at high level that gradually fades out towards the base. Some London Interior Design consultancies specialise in choosing continuous sources, such as a miniature tungsten rack for a soft light or overlapping fluorescents for a cooler light. This is an effect that works very well in contemporary interior designs, where light can be concealed between the wall and the ceiling in a crevice in order to take the place of the traditional cornice.

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It is such a delight for the interior designer to be able to transform a house into a home

As a professional London Interior Designer, I meet with clients all the time who simply crave more originality and personality in their interior spaces. It is such a delight for the interior designer to be able to transform a house into a home by judicious use of lighting, stencils, photo frames, rugs and frames, to name just a few. Each of the different classes of accessories allows the professional interior designer to lean into a certain style, emotion or personality framework in order to create stunning results. In this article, I will draw on my experience in London’s design community to suggest a few great options if you’re looking to spruce up your home this winter with some interior designer magic.

LIGHTING. If there are nooks and crannies that just don’t get enough light, interior designers may recommend low-voltage illumination to make your interiors look larger and more welcoming. This can also boost your mood – perfect for the gloomy and overcast London skies that are all too common this time of year. Some professional interior designers will recommend theatrical lighting moods, so that you can flip between settings to choose either relaxed, or atmospheric and edgy, or task-orientated, all according to your needs.

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Work And Styles Influenced The London Interior Design Community

Thomas Chippendale didn’t grow up in London (in fact he was born in Leeds in 1718), but he did move to London at the age of 31, after he had already gained recognition as a premiere furniture maker and cabinetry-focused interior designer. His work and styles influenced the London Interior Design community then, and the Chippendale aesthetic continues to extend its impact well beyond London even today.

Chippendale’s fluent, natural and sophisticated style developed after the promotion of his furniture and interior designs in “The Gentleman and the Cabinetmaker’s Director” in 1754. Chippendale continued to make iconic contributions to the field of interior design until 1790. His furniture came to be manufactured as far afield as Philadelphia in the USA.

Chippendale drew on three key interior design inspirations for this work – namely French, Asian and Goth. In the USA, Chippendale’s work was interpreted as a re-envisionment of the Queen Anne interior design style. His furniture was often heavily ornamentalised on the feet and uppers, with beautiful heritage-inspired scroll tops on taller units. Yellow Birch and Mahogany were often used, undersupport was rarely employed, and the rears of seated furniture were covered with plush fabric or otherwise left as shaped wood, perhaps as tessellated piecework with ornamental sculpting and Asia-inspired cross-strips. To round out his own personal interior design style, Chippendale would also include delightful finials and varnished shellac features.

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